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Delving into black magic and folk culture, Weber created with Der Freisch├╝tz a new aesthetic that was to nourish the imaginative world of a whole generation of composers. Ren├ę Jacobs has gone back to the sources of the initial project and here offers us a completely new reading of the very first German Romantic opera. The prologue initially conceived by the librettist is restored to it's original place, giving due symbolic and structural weight to the character of the Hermit. This is a fascinating rediscovery.
Delving into black magic and folk culture, Weber created with Der Freisch├╝tz a new aesthetic that was to nourish the imaginative world of a whole generation of composers. Ren├ę Jacobs has gone back to the sources of the initial project and here offers us a completely new reading of the very first German Romantic opera. The prologue initially conceived by the librettist is restored to it's original place, giving due symbolic and structural weight to the character of the Hermit. This is a fascinating rediscovery.
3149020944295
Weber: Der Freischutz
Artist: Freiburger Barockorchester / Rene Jacobs
Format: CD
New: Available $34.98
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Formats and Editions

DISC: 1

1. Weber: Der Freisch├╝tz, Op. 77, Act 1: No. 1, Overtura
2. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 1: Aria "Allerbarmen! Lord Up There!" (The Hermit)
3. Ren├ę Jacobs, Freiburg Baroque Orchestra, Christian Immler
4. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 2
5. Christian Immler, Ren├ę Jacobs, Polina Pastirchak, Freiburger Barockorchester, Kateryna Kasper
6. Dialogue "Where Agathe Wants to Stay?" (The Hermit, Agathe, Male)
7. Duetto "Take the Friend Gabe" (The Hermit, Agathe)
8. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 3
9. Ren├ę Jacobs, Freiburg Baroque Orchestra, Maximilian Schmitt, Yannick Debus, Z├╝rcher Sing-Akademie
10. Choir "Viktoria! Victoria!" (Chor Der Landleute, Max)
11. Song "Look at the Lord Me As King!" (Kilian, Choir)
12. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 4: Dialog "What's Going on Here?" (Kuno, Kilian, Max, Samiel's Voice, Kaspar)
13. Franz Schubert, Carl Maria Von Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 4: Romance "Herr Ottokar Jagte Durch Heis Und Durch W
14. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 4 ; 5: NR. 2, Terzetto Con Cori "Oh Diese Sonne" (Max, Kuno, Kaspar, Chor) ; Dialog
15. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 5: NR. 3, Scena Ed Aria. Waltz
16. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 6: Recitative "Nein, L├Ąnger Trag' Ich" ; Aria "Durch Die W├Ąlder, Durch Die Auen" (
17. Weber: Der Freisch├╝tz, Op. 77, Act 1 Scene 7
18. Dialog ; No. 4, Song "Hier Im Ird'schen Jammertal" (Kaspar, Samiel's Voice, Max)
19. Dialogue "Agathe Is Right" (Max, Kaspar, Samiel's Voice)
20. No. 5, Aria "Silent, Silent, So That No One Warns You!" (Kaspar)
21. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 1
22. Dialogue ; No. 6, Duetto "Schelm! Hold on Tight!" (Ännchen, Agathe)
23. No. 7, Arietta "Kommt Ein Schlanker Bursch Gegangen" (Ännchen) ; Dialog
24. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 2: NR. 8, Scena Ed Aria "Wie Nahte Mir Der Schlummer" (Agathe)
25. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 3
26. No. 9, Terzetto "How? What? Horror!" (Agathe, Ännchen, Max)
27. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 4: Dialog (Samiel's Voice) ; No. 10, "Milk of the Moon Fell on the Herb" (Choir)
28. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 5: Dialogue (Two Ghosts) ; Melodrama "What a Terrible Heat!" (Kaspar)
29. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 7: Ha! the Dull Abyss Yawns Terribly (Max)
30. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 7 ; 8: Dialog "Der Mond, Der Mond Verfinstert Sich" (Max, Kaspar) ; Melodrama (Samie
31. Weber: Der Freisch├╝tz, Op. 77, Act 2 Scene 8: Ah! Hiss, Shower, Cook (Samiel, Kaspar, Choir, Max)
32. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 1
33. No. 11, Entre Act
34. Dialogue "Good Morning, Comrade! Well Rested?" (Kaspar, Max)
35. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 2: No. 12, Cavatina "Und Ob Die Wolke" (Agathe)
36. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 3
37. Dialogue "Well, You're Up Sooner Than Me!" (Agathe, Ännchen)
38. No. 13, Romanza Ed Aria "Einst Traümte Meiner Sel'gen Base" (Ännchen)
39. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 3, 4 ; 5: Dialog ; No. 14, Folk Song "Wir Winden Dir Den Jungfernkranz"
40. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 5 ; 6: Dialogue "Mit Einem Lauten Schrei" (Samiel's Voice) ; Dialogue "Liebe Freunde
41. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 6: NR. 15, J├Ągerchor "Was Gleicht Wohl Auf Erden" (Chor
42. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 6 ; 7: Dialog "That Was Really Masterful"
43. Weber: Der Freisch├╝tz, Op. 77, Act 3 Scene 7
44. No. 16, Finale "Schaut, O Schaut" (Choir, Ännchen, Agathe, Kaspar, Max, Samiels Stimme, Kuno, Ottokar)
45. Only You Can Solve This Puzzle (Ottokar, Max, Kuno, Agathe, Ännchen, Chor)
46. Who Puts Such a Strict Spell on Him? (The Hermit, Ottokar, Choir, Max, Kuno, Ännchen)
47. But Now Raise Your Eyes (The Hermit, Choir, All)

More Info:

Delving into black magic and folk culture, Weber created with Der Freisch├╝tz a new aesthetic that was to nourish the imaginative world of a whole generation of composers. Ren├ę Jacobs has gone back to the sources of the initial project and here offers us a completely new reading of the very first German Romantic opera. The prologue initially conceived by the librettist is restored to it's original place, giving due symbolic and structural weight to the character of the Hermit. This is a fascinating rediscovery.
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