PREORDER UPCOMING RELEASES
Named after the residential studios outside Paris where the album was recorded, Honky Château bought a new level of simplicity and directness to Elton’s music that had previously only been seen in glimpses. Shorn of the complexities and ornate orchestrations of his recent work, Honky Chateau seemed freewheeling and intimate. It was helped by Rocket Man, the record which became another of Elton’s signature songs.
These special editions contain the original album, and on both vinyl and CD editions a newly created selection of outtakes from the sessions, produced from the original tapes by Matt Still, which highlight the warmth and humor of the sessions.
On CD only there are eight tracks from the album that were recorded at the Royal Festival Hall in 1972, all receiving their live debut, just a few days back in the UK after recording. Assembled with the customary care by Elton’s catalog team, the album comes as a gatefold with an eight-page booklet with rare photos, memorabilia and an essay by co-curator and music writer Daryl Easlea, featuring interviews from those who were there.
Honky Château has been mastered at Lurssen in California, and the vinyl cut at Abbey Road.
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Paramore are back with their first new music since 2017. The beloved Nashville-based trio of Zac Farro, Hayley Williams& Taylor Yorkhave returned from their hiatus -and the global pandemic -with “This Is Why”, one of the best songs of their already impressive repertoire. In what’s widely recognized as one of the most exciting musical returns of the year, the band have also announced the release of their long awaited sixth studio album, This is Why, for February 10th 2023. Recorded in Los Angeles, California with long-time collaborator Carlos de la Garza, the album features 10 new Paramore songs with cover art shot by Zachary Gray.
Entering back into a world -and cultural landscape -very different from the one they last participated in, Paramore have returned with a song about exactly that. “This Is Why” is a deliciously infectious Paramore ear-worm for the post-truth world. Of the song, Williams says, “This Is Why was the very last song we wrote for the album. To be honest, I was so tired of writing lyrics but Taylor convinced Zac and I both that we should work on this last idea. What came out of it was the title track for the whole album. It summarizes the plethora of ridiculous emotions, the rollercoaster of being alive in 2022, having survived even just the last 3 or 4 years. You’d think after a global pandemic of fucking biblical proportions and the impending doom of a dying planet, that humans would have found it deep within themselves to be kinder or more empathetic or something.”
When Paramore revealed they were recording together in January 2022 the response from music fans around the world was immediate and celebratory. In the time since the Grammy-winning, RIAA-certified multi-Platinum band released their last album, After Laughter-and Hayley Williams unveiled two lauded solo albums -Paramore have become more popular than ever. Over the last few years Paramore’s influence and popularity has snowballed, as the age of streaming organically propelled them into a position as one of the world’s biggest, most culturally compelling rock bands. For the band, who formed as teenagers in Tennessee, their 20 year trajectory has seen them grow from youthful outsiders to bone-fide pop culture icons, permeating the musical landscape by inspiring a new generation of musical talent.
Andy Shauf’s songs unfold like short fiction: they’re densely layered with colorful characters and a rich emotional depth. On his new studio album Norm, Andy Shauf’s songwriting veers decidedly more oblique, hinting at sinister happenings and dark motivations. The result: an intoxicating collection of mellifluous melodies and beguiling lyrics. Levitating, synth-laden atmospherics drive Shauf’s storytelling on ‘Norm,’ mixed by Neal Pogue (Tyler, the Creator).
In 2016, The Party catapulted Andy Shauf to indie notoriety, followed by 2020’s The Neon Skyline which landed Andy Shauf performances on Jimmy Kimmel Live! and CBS This Morning: Saturday, a Polaris Prize nomination, and mentions on several best-of lists — among them, a track on Barack Obama’s playlist and praise from Pitch- fork, The Atlantic, Esquire, Stereogum, and more.
We want to write a big album—something suited for radio, but our songs don’t follow conventional pop structures. Instead of choruses with universal themes, I write with a specificity that is new to me, narrowing in on the smallest details of our lives. The more we try to broaden our scope, the more we turn inward.
To keep ourselves from falling into old habits, we use instruments and gear that are new to us. We work alone and Patrick engineers. The sounds he creates are as foundational as any part he writes. We resist the urge to over edit or do too many takes. Unlike previous albums which have been more wall of sound, we make a point not to overpower my voice with a dense mix.
We name the album Pollen. It is about small things with big consequences: a particle, a moment, a choice. It is me in a fragile state; sometimes inhabited freely, sometimes reacted against. It is striving to remain in a moment without slipping into dread. It is about the way I can be undone by a very small thing."
AVATAR will save Heavy Metal.
There are no weapons on this planet that can challenge might of the electric guitar. For decades metal has been the most powerful force known to man. Its sonic teeth have gnawed through the status quo over and over, pushing the boundaries for what can be created in the marriage between blood and machine. If a Mount Rushmore were to be carved for all the titans of the genre, it would span the entire globe many times over. It’s a burning beacon, the misfits and rebels.
As time has passed, much of the scene has become divided in two equally stale camps. The first is forever stuck in the past, no longer seeking to lead. The second are those who have forgotten the most important ingredients to what made metal what it was and must remain. They’ve lost touch with the devil. They’ve forgotten how to move. In a genre best experienced with your whole body, they’ve lost the lust.
We grew up together. John and Jonas started the band when they were just 15 and 14 years old. Johannes joined at the age of 16, as did Henrik and finally Simon, who left to be replaced by Tim, a longtime friend of ours, in 2012. While constantly redefining what we do and why we do it, we are among a select few who have remained a true band of brothers. Metal has been our key to the kingdom, our way to see the world. Self-financing our debut when we were between 18 and 19, we have never waited for anyone’s approval or permission. With DANCE DEVIL DANCE we are adamant to give something back for all we’ve received.
Dierks Bentley will release his 10th studio album on Capitol Records Nashville on February 24, 2022. The brand-new album will include 14 songs and features duets with Ashley McBryde and Billy Strings. His latest hit single, “Gold,” is currently rising on the Country charts. Dierks has sold over 10M albums worldwide and garnered over 4.2B streams. He has 21 #1 songs, 3 CMA Awards, 14 GRAMMY nominations and is a member of the Grand Ole Opry.
It would be difficult to find a band that is more self-aware than longtime touring band Lucero. Since forming in Memphis in the late 90’s, Lucero’s base musical hallmarks have remained similar to the band’s initial sound established with their first record The Attic Tapes. In the history of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Years later, dedicated fans of the group still flock to hear the band’s punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters.
For their twelfth record, Should’ve Learned by Now, Lucero drew on a lot of work from their past. Literally. By adapting songs and guitar parts that had been left over from the group’s previous two albums, Lucero was able to construct one of its most comprehensive works to date.
“I had a particular sound I was looking for on each record and there was no room for any goofy rock & roll or cute witticisms or even simply upbeat songs.” Said primary lyricist and frontman, Ben Nichols. “But now finally, it was time to revisit all of that stuff and get it out in the world. That’s how we got to the appropriately-for-us-titled album Should’ve Learned by Now. The album is basically about how we know we are fuckups and I guess we are ok with that.”
Produced by Grammy Award-winning engineer, Matt Ross-Spang, the album is a punchy, rock and roll record that utilizes the more mature production stylings the group developed over time, and combines it with the first-person introspectiveness that the band is known and loved for.
From its original Ben Nichols-designed cover art to its credits, the album is a reflection of a band that knows itself. Should’ve Learned by Now bridges the gap musically between “old Lucero” and “new Lucero” in a manner which affixes the band’s position as the perfect intersection of punk initiative with hard-earned artistry. It’s an album that recognizes the past in its sound and content, but leaves the door wide open to the future and for the lessons still in store.
On her transcendent new record, Workin' On A World, Iris DeMent faces the modern world — as it is right now — with its climate catastrophe, pandemic illness, and epidemic of violence and social injustice — and not only asks us how we can keep working towards a better world, but implores us to love each other, despite our very different ways of seeing.
A little over a decade ago Logic was sleeping on Big Lenbo’s basement couch in College Park, Maryland. Months later he would sign his first record deal and his life then changed forever. With his career taking off, Logic gave everything to his work. For years he did album after album, tour after tour, interview after interview. And it paid off - but at a severe cost to his mental health. Logic knew if he was going to continue his relationship with music, it would have to be on his own terms. Introducing College Park, Logic’s debut independent album. In College Park, Logic tells the story about a kid from Maryland who was tired of sleeping on couches… and changed that the only way he knew how.
The Strokes The Singles - Volume 01 is a 7” vinyl boxset comprised of the 10 original vinyl singles released from the band’s first three studio albums. Utilizing the original singles artwork, the boxset will include standard black 7” vinyl of "The Modern Age," "Hard To Explain," "Last Nite," and "Someday," off of Is This It (2001), "12:51," "Reptilia," and "The End Has No End" off of Room on Fire (2003), and "Juicebox," "Heart In A Cage," and "You Only Live Once" off of First Impressions of Earth (2006) with their accompanying b-sides.
Cracker Island’ is the eight studio album from Gorillaz, an energetic, upbeat, genre-expansive collection of 10 tracks featuring yet another stellar line-up of artist collaborators: Thundercat, Tame Impala, Bad Bunny, Stevie Nicks, Adeleye Omotayo, Bootie Brown and Beck. Recorded in London and LA earlier this year, it is produced by Gorillaz, Remi Kabaka jr. and eight-time Grammy Award-winning producer / multi-instrumentalist / songwriter extraordinaire Greg Kurstin. Title track ‘Cracker Island’ kickstarted the new campaign this Summer hitting the charts across the globe with a top 10 video racking up 10M views in 10 days. The virtual band exploded onto TikTok gaining over 2.1 m followers in the space of a few months where they continue to innovate, taking virtual characters where no character has been before…